Dark Phoenixs Alexandra Shipp Isnt Sure About Joining The MCU

By  at Maret 29, 2021  , , ,  No comments
Dark Phoenixs Alexandra Shipp Isnt Sure About Joining The MCU

The superhero genre is in an interesting place right now, as there are a ton of moving parts coming from the myriad studios producing comic book adaptations. The Marvel Cinematic Universe as we know it will end with Avengers: Endgame, while Dark Phoenix may be the swan song of the long running X-Men franchise. Because with Disney's acquisition of 20th Century Fox is official, with the House of Mouse in control of all future X-Men projects.

Comic book fans are eager to see the X-Men join the greater Marvel Cinematic Universe, although it's unclear how/when that might happen. Will Disney utilize some of the current cast, or start totally fresh with the iconic mutants? Alexandra Shipp is the current Storm of the X-Men franchise, set to reprise her role in Dark Phoenix. But she's not sure she'd want to join the MCU, believing it would push her character further into the background. As she recently put it:

I would and I wouldnt, because Storm barely has anything to say as it is. I dont know about you all (other actors) but like we never talk. So it would be really nice if we werent piled into yet another jam packed cast, in which you only see me in the back of the shot like fucking sasquatch.

Well, that's one way of putting it. Sasquatch aside, Storm hasn't typically been the protagonist of the X-Men movies. So Alexandra Shipp may have valid concerns about joining an even bigger pool of iconic heroes.

Alexandra Shipp's comments come from a recent round table discussion at WonderCon (via LRM). While gearing up for her second appearance as Storm in the X-Men franchise, she also took the time to lament the character's fate in the franchise overall. While the Weather Witch is an iconic character that has already appeared an impressive five times in live-action, Ororo Munroe has never really taken the spotlight onscreen. That isn't expected to change in Dark Phoenix either, at least if Shipp's statements are any indication.

The Love, Simon actress does have a point, and highlights the potential problem with bringing the X-Men to the Marvel Cinematic Universe. The MCU has grown exponentially over the first decade of filmmaking, and there are a ton of heroes already in play. Just look as the massive ensemble cast of Avengers: Infinity War. And while some OG Avengers are set to depart the franchise after Endgame, there still doesn't seem to be enough room to add a large group of heroes into the mix. Even ones as iconic as the X-Men.

Storm is a beloved X-Man, and one that has had a fascinating life in theaters. While she's been more of a supporting character in the X-Men franchise, perhaps she could become a larger presence once the character is brought into the MCU. Although whether or not Alexandra Shipp will be offered the opportunity to stay on (and whether she'd take it) is another conversation entirely.

Alexandra Shipp's comments about Storm are brutally honest, but she's not wrong. The mutant character may have been in the X-Men franchise since Bryan Singer's original 2000 flick, but that doesn't mean she's gotten nearly as much screen time as Wolverine or Jean Grey. Originally played by Halle Berry, she was a supporting presence in the first two X-Men movies, failing to really progress or develop as a character. And while Scott and Professor X's deaths in X-Men: The Last Stand let Berry get a few more lines, the character still didn't really go anywhere.

X-Men: Apocalypse welcomed Alexandra Shipp's version of the character, as a younger mutant girl trying to survive in Egypt. After being given more power by the titular villain, Storm was one of Apocalypse's four horsemen of death, helping him in his quest to end the world. But she eventually saw the error in her ways, and joined the good guys in the final moments of the battle. She was last seen in the Danger Room with the new team of X-Men as Apocalypse concluded.

Despite having only one movie under her belt, Storm's showing in Apocalypse is arguably the most complex version we've gotten on screen. It should be interesting to see how Ororo Munroe changes during the course of Dark Phoenix. She's been with the team for a decade, so Storm should have specific relationships with each of her fellow mutants. And when the Phoenix Force takes control of Jean Grey, the conflict will split the X-Men.

Alexandra Shipp has teased that Storm will get to really unleash her weather manipulation mutation during Dark Phoenix, so we should expect some pulse pounding action from the upcoming blockbuster. She's been shown flying and firing electric bolts from her hands, and mourning during Mystique's funeral at the X-Mansion. She also has a chilling warning in a recent trailer, teasing she may be against Jean once dark cosmic power consumes her.

It should be fascinating to see what Marvel Studios ends up doing with the X-Men, now that Disney has the rights to the characters. Will they slowly trickle in mutant characters to existing franchises, like the founding Avengers were individually introduced before their crossover movie? Or will the studio go the more classic route, and assemble a new class of X-Men to introduce in an ensemble film? The MCU managed to start a new Spider-Man franchise just years after the Andrew Garfield movies, so anything is possible.

Dark Phoenix is hitting theaters this June, but it's unclear if any other planned X-Men movies will ever make it to theaters. This includes Josh Boone's The New Mutants, which has already been pushed back a number of times. The horror inspired blockbuster has yet to commence reshoots, and not even the cast seems to know what's going on how if/when the movie will be released. With Disney+ starting up shortly, some believe New Mutants may end up on the streaming platform. But hopefully reshoots will occur first, so the film could be actually completed.

Alexandra Shipp will make her sophomore appearance as Storm in Dark Phoenix on June 7th. In the meantime, check out our 2019 release list to plan your next trip to the movies.






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Mission: Impossible Director Chris McQuarrie Reportedly Turned Down Some DC Projects

By  at Maret 28, 2021  , , ,  No comments
Mission: Impossible Director Chris McQuarrie Reportedly Turned Down Some DC Projects

It's no secret that superhero movies are everywhere nowadays. The comic book genre has proven the most profitable and popular genre in the business, with tons of filmmakers and impressive talent signing on for the chance to get involved in one of the massive shared universes. Of course, this is also a two-way street, with studios seeking out talent to work both in front and behind the camera.

Unfortunately, not everyone is down to clown-- including Mission: Impossible-- Fallout director Christopher McQuarrie. McQuarrie's name is synonymous with his iconic action franchise, and it was recently revealed that Warner Bros. actually approached the director about working on a project set within the DC Universe. Unfortunately, he reportedly turned that potential movie down.

This news comes to us from THR, which revealed that Warner Bros. attempted to bring Christopher McQuarrie into the DC fold. Unfortunately, these efforts were for naught, as he instead re-upped his contract with the Mission: Impossible franchise, and has signed on to create another two massive blockbusters. As such, he won't have the time to direct a superhero flick for the DC Universe, instead focusing on his continued collaboration with Tom Cruise.

News of Christopher McQuarrie's DC side step will no doubt cause plenty of FOMO among DC fans, who are hoping that talented directors like him will join the still growing live-action universe. The Mission: Impossible franchise has only gotten bigger and more successful with each installment, as Tom Cruise continues to push the limits of his body and the franchise's myriad stunts. As such, it looks like McQuarrie would rather craft his own place in the film industry, rather than joining the arguably already bloated superhero genre.

Of course, one has to wonder which potential projects Warner Bros. came to Christopher McQuarrie about-- before he eventually re-committed himself to Ethan Hunt's high-octane adventures. The DC Universe has a ton of exciting projects coming down the line, as the still infant shared universe once again restructures itself for success. McQuarrie seems like a great director for just about any addition in the DCEU, with the studio keeping its plans for the future largely a mystery after its current slate of movies.

Luckily, the DC Universe is on the upswing with James Wan's Aquaman. Arthur Curry's solo flick recently broke the $1 billion mark, allowing the franchise to recover from the critical and box office failure of Justice League. Shazam!, Birds of Prey, and Wonder Woman 1984 are all also coming down the pipeline, with new directors being offered the chance to craft something wholly unique to the genre.

Christopher McQuarrie's next collaboration with Tom Cruise is Top Gun: Maverick, which he's writing the script for. That movie will debut on June 26th 2020. In the meantime check out our 2019 release list to plan your trips to the movies in the New Year.




UPDATE: McQuarrie tweeted, suggesting he did not turn down DC movies in favor of Mission: Impossible.The original article follows.-Christopher McQuarrie reportedly turned down the opportunity to direct multiple DC projects so he could helm Mission: Impossible 7 and Mission: Impossible 8.
Mission: Impossible - Fallout - CINEMABLEND


McQuarrie's name is synonymous with his iconic action franchise, and it was recently revealed that Warner Bros. actually approached the director about working on a project set within the DC Universe.
Mission: Impossible Director Chris McQuarrie Reportedly

Mission: Impossible 7 & 8 Director Turned Down DC Films Christopher McQuarrie reportedly turned


Well, according to THR, McQuarrie chose to accept the Mission: Impossible gig after turning down a number of alternative offers from various studios, including Warner Bros. which reportedly
Mission: Impossible 7 & 8 Director Turned Down DC Films


Mission: Impossible 7 & 8 Director Turned Down DC Films ☞ Subscribe Now :


Chris McQuarrie Reportedly Turned Down DC to Make More Mission: Impossible Movies Writer and director of the last two Mission: Impossible films, Chris McQuarrie, seemingly hasn't been bitten
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Mission: Impossible Director Chris McQuarrie Reportedly


Unfortunately, not everyone is down to clown- including Mission: Impossible- Fallout director Christopher McQuarrie. McQuarrie's name is synonymous with his iconic action franchise, and it was recently revealed that Warner Bros. actually approached the director about working on a project set within the DC Universe.
Impossible Director Chris McQuarrie Reportedly Turned Down


Christopher McQuarrie Turned Down DC Film Projects to Stay With 'Mission: Impossible' Matt Bomer Says He's "So in Love" With Doom Patrol
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The best intentions often come back to haunt you. MISSION: IMPOSSIBLE - FALLOUT finds Ethan Hunt (Tom Cruise) and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames) along with some familiar
UPDATE: Christopher McQuarrie denies reports of turning down


Unfortunately, not everyone is down to clown- including Mission: Impossible- Fallout director Christopher McQuarrie. McQuarrie's name is synonymous with his iconic action franchise, and it was recently revealed that Warner Bros. actually approached the director about working on a project set within the DC Universe.
Chris McQuarrie Reportedly Turned Down DC to Make More


Christopher McQuarrie reportedly turned down offers from Warner Bros. for DC Universe projects in order to stay on with the Mission: Impossible franchise.
Mission: Impossible 7 & 8 Director Turned Down DC Films

2018's Biggest Box Office Surprises

By  at Maret 27, 2021  , , ,  No comments
2018's Biggest Box Office Surprises

Box office prognostication is a lot like weather forecasting: there is a science to it, past trends to look at, and data like advance ticket sales that can provide insight and clues about what is going to happen. But every once in a while, you predict a couple of inches of snow and wind up with a couple feet. Likewise, movies that you expect to bomb deliver huge and sure things prove to be anything but.

This year is on track to be the biggest ever at the box office, and it had no shortage of surprises. But now, as we reach year's end, some of them stand out more than others for their perceived unlikelihood and how flabbergasted they left us. These surprises challenged our preconceived notions and reminded us that, just as you never really know the weather until you walk out the door, we can never be sure how a movie is going to do until it opens in theaters.

Here are 2018's biggest box office surprises.

Jumanji Dominating JanuaryInterestingly, one of 2018's biggest box office surprises was in fact a 2017 film. Jumanji: Welcome to the Jungle opened in theaters on December 20, 2017, a mere five days after Star Wars: The Last Jedi. And while the Disney juggernaut dominated December, once the calendar turned to January, it began to drop and in its place rose Jumanji. In an amazing display of staying power and box office legs, Jumanji: Welcome to the Jungle rose to number 1, and stayed at number 1, and remained all the way until the last full weekend in January when it fell to number 2. Then, it rose back to number 1 the week after just to remind everyone it was still around.

All in all Jumani spent five weekends at the top of the box office, beginning with its third weekend in release. That's some truly Smolder Bravestone-esque intensity and endurance right there. It was a remarkable and baffling performance for a film that blew away even the most optimistic of expectations, grossing nearly $1 billion worldwide. Such is the power of nostalgia, The Rock and a light, fun, family action-comedy.

The Nun Tops The Conjuring UniverseSince James Wan's 2013 film The Conjuring, the Conjuring Universe has sprung up organically and boasts five films to date with a combined worldwide total of over $1.5 billion. Despite the hit and miss nature of critical responses, the films have been a success at the box office and none more so than this year's The Nun from director Corin Hardy. Although it came in 2nd behind the original The Conjuring domestically, The Nun bested all of its Conjuring Universe stablemates worldwide with a haul of $365.6 million.

That a low-budget horror movie was a box office success is anything but a surprise, because there are entire studios built around that model. What is surprising is that a spinoff film did better than what, for lack of a better term, are the mainline films in the franchise. Both other spinoffs, Annabelle and Annabelle: Creation, lag behind The Conjuring and The Conjuring 2 in domestic and worldwide box office, but The Nun came out on top of all of them worldwide. Buoyed by Latino and Mexican audiences, the performance of The Nun shows the richness of this universe and surprisingly, how much people really want to see spinoffs of these horror elements.

The Black Panther PhenomenonThere's not much to be said about Black Panther at this point that hasn't already been said. Simply put, it may not have been the highest-grossing film of 2018, but it was the box office story of the year. It surpassed every other MCU film that's not an Avengers movie on the worldwide charts with $1.34 billion. Its performance was truly remarkable and showed the financial viability of having an expensive movie with an almost all-black cast.

MCU movies always do well, but just how big Black Panther was is something that no one could have predicted. And even more surprising than Black Panther's worldwide performance is its domestic haul. Specifically, Black Panther made $700 million in North America. That bests Avengers: Infinity War's $678.8 million. So a movie about a relatively unknown superhero made more money in North America than a team-up film that Marvel Studios has been working towards for the past decade. That is what you call surprising.

Documentaries Delivered On The Big ScreenIt's not often that we talk about the box office performances of documentaries. Documentaries seem to get more traction and buzz these days when they are broken up into a series for a streaming service. However, 2018 was a great year for big screen documentaries, evidenced not just by their quality, but by their performances at the box office.

Four of 2018's documentaries landed in the top 30 highest grossing documentaries according to Box Office Mojo. The shocking Three Identical Strangers made $12.3 million while Free Solo, which begs to be seen on the big screen, made a little under $11 million. Even more impressive was RBG, which enjoyed two weekends in the top 10 and made $14 million. The all-star though was the Mr. Rogers documentary Won't You Be My Neighbor. That uplifting and necessary film managed three consecutive weekends in the top 10 and made $22.6 million. Although it is surprising, it is good to know that documentary filmmakers and subjects can still find an audience on the big screen.

The Rock Isn't Always Box Office GoldDwayne Johnson started 2018 off strong with Jumanji: Welcome to the Jungle, but the rest of his year didn't prove quite as fruitful. First he had the latest video game adaptation, this time one of an old 1980s arcade game, in Rampage. Despite the drawing power of The Rock and the brand name of the property, Rampage barely cracked $100 million in its domestic run on a $120 million budget. It went on to do well overseas, lifting it to $428 million worldwide, which is pretty good for a video game adaptation, but it wasn't what you would call a runaway success.

The drawing power of Dwayne Johnson was tested to an even greater degree with July's Skyscraper. Lacking an established IP, Skyscraper had to get by on the strength of its star and its story that echoed Die Hard and The Towering Inferno. Skyscraper debuted in third place and struggled throughout its run, making only $67.8 million domestically and $304.1 million worldwide on a $125 million budget. The combined worldwide grosses of these two films don't come close to Jumanji's. It was a surprise, but we now know that even the star power of The Rock has its limits.

Incredibles 2 Became Pixar's Most Successful FilmIf you think about Pixar's most popular brands, properties like Toy Story, Cars and Finding Nemo/Dory are probably the first to come to mind, not The Incredibles. Brad Bird's 2004 film is in the middle of the pack box office-wise for Pixar and it went over a decade without a sequel. So it came as something of a surprise when this summer, Incredibles 2 performed heroically at the box office to become the most successful Pixar movie ever made and the fourth-biggest film of 2018.

It wasn't a surprise that Incredibles 2 did well, animated sequels usually do and Pixar ones especially, but for it to do as well as it did indeed was a surprise. Incredibles 2 performed incredibly, making $608 million domestically and $1.24 billion worldwide, surpassing Pixar stablemates like Finding Dory and Toy Story 3. It had been 14 years since the original film, but clearly absence made the heart grow fonder.

Solo: A Star Wars Story UnderperformsIf Black Panther was the positive box office story of the year, coming in at the other end of the spectrum was Solo: A Star Wars Story. This was a Star Wars film, so we were naturally expecting showers of money at the box office, but what actually happened was more of a drought. Solo was the first Star Wars film in the Disney Era to fail to make $1 billion. More than that, its worldwide total was over $100 million less than what the previous spinoff, Rogue One: A Star Wars Story, made domestically.

Solo made just $213.7 million domestically and $392.9 million worldwide. Sure, there were people who thought we didn't need this movie and it wasn't expected to perform at the level of the Saga films, but it was still a Star Wars movie and it was about franchise hero Han freaking Solo. So for it to underperform to the degree that it did goes beyond surprising to truly shocking. A lot of digital ink has been dedicated to analyzing its failure, but it is clear that this surprise has had major implications, with Disney potentially changing up its Star Wars strategy going forward.

The Mission: Impossible Franchise Keeps GrowingThe Mission: Impossible series is one of the most fascinating franchises going these days. Unlike something like the Bond films, which fluctuate in quality drastically from entry to entry, Mission: Impossible seems to keep getting better each time out. That in and of itself defies the norm, but for the sixth film in the over twenty-year-old series to defy the usual box office logic with sequels and surpass all of the previous entries, that is truly surprising.

Mission: Impossible Fallout is the sixth-biggest film on the worldwide charts in 2018 with $791 million, ranking right up there with the superhero films that dominate the box office and the zeitgeist. That haul tops the 2nd most successful film in the franchise, 2011's Mission: Impossible Ghost Protocol, by almost $100 million. Not only is Mission: Impossible going strong, but the series actually grew with the latest entry. That is definitely a surprise and because the quality is there, it's a pleasant one.

Crazy Rich Asians Does Crazy BusinessFalling in to the category of things that should have been obvious but weren't, it turns out that audiences that don't traditionally see themselves represented onscreen, actually like to. That lesson was driven home with August's Crazy Rich Asians. Based on the novel by Kevin Kwan, Jon M. Chu's film, which was made for a modest $30 million, made over $174 million domestically and $238 million worldwide.

Crazy Rich Asians owned the late August box office, spending three weekends in the number 1 spot and beating out more star-driven vehicles like Mile 22. Domestically it outgrossed blockbusters like The Meg and Ready Player One. It's also the highest-grossing romantic comedy in almost a decade and two sequels are in the works. The surprising success of Crazy Rich Asians may have sent a message to the industry too, not unlike Black Panther. Marvel is now developing its first Asian superhero movie about Shang-Chi, Master of Kung-Fu.

Venom Obliterates ExpectationsIf you want to talk about defying expectations, perhaps no 2018 movie better exemplified that than Sony's Venom. I don't think it is unfair to say that a not insignificant portion of people expected Sony's Spider-Verse to be DOA and Venom to be a critical and commercial dud. And critically, Venom was just that, but in one of the truly remarkable examples of critical and audience disconnect, people loved Venom and they expressed that love at the box office.

Venom did okay domestically, but really excelled overseas. Ruben Fleischer's movie made $855 million worldwide, passing movies like Wonder Woman and this year's Deadpool 2 at the box office. For the first film in a budding cinematic universe, with no Spider-Man and that was critically panned to do as well as it did is positively dumbfounding. Venom really connected with audiences, confirming the popularity of the character, validating the PG-13 rating and thus ensuring the future of Sony's Spider-Verse, at least for now.





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Avengers: Endgame really had us geeking out all while tugging on our heartstrings for three hours straight. There's a good reason why the movie is called the culmination of the MCU thus far: it includes a LOT of callbacks to the past movies, even including literal visits as the heroes completed their time heist.
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The new Terminator movie has been pushed back from July 26 2019 to November 22nd 2019, I have heard that the filming schedule has fallen behind, I also wouldn't be surprised if Arnold's emergency heart surgery has halted production as he is a key part in The Terminator franchise.
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